Room x112
explosions on a star
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Ongoing N.Z. poetry language and art project. Includes art & text. It is 'constructed'. A total poem. Indeterminate. History, process: total culture & not limited to any media or "perfect" isolated texts or "poetics". It rejects lines between poetry and prose or art and life. It struggles with the need for perfection. It can be everything. It is subjective as much as it is objective.
3 comments:
Blackness! Coming along on saturday, Richard?
On The Face Of The
There was a lot of darkness —
Dark darkness, and some light.
Light – yes - light: light and dark...
Less light than dark, but more dark than —
But I loved the dark. Came colour then.
The light and the dark seemed to know something —
Anyway - colour there was, and light there was,
And dark there was:
Then a pulsing, a squirming: movement! Yes!
Movement, yes, movement: and sound, there was sound.
Movement and sound. But the darkness —
That was first. First? What means ?
Yes, it was the light - like the doors,
Higher than God,
Had been wedged open
And all the light and
dark and sound and colour
Had writhed into being.
But then the black: black blackness and the sudden light.
anon
In the middle of he blackness is a fragment of a sentence
This section began with a poem about some Jewish people and lead to various things then to The Holocaust etc - I cant seem to struggle out of the black to the light - but gradually this is happening - words after Auschwitz etc but there was an excellent programme on a guy who writes about his experience in Auschwitz yesterday on Opprah Winfrey - (I know!) - strange - but it was great and Opprah was also... but "this dark will lighten" (R A K Mason (book title)).
The Holocaust was said by Susan Sontag to be THE question of the 20th Century.
As to Saturday I am not sure.
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