Saturday, March 08, 2008

Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...




((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................
revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................


orn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atro






here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)


a spreading sneer,

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...




((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................
revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

............. Like a fat poet retching, or casting himself .......



###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################



beginning was here.



####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...


|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| purpose is stimula

((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi

he is reading or would read almost anything...

|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| purpose is stimula

((((((())))))))
()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(


losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................
revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int


constant shifting

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)


....................................anciently...................................................

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu







...........
DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################

You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of
play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu




as with








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int




,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)







eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu







...........
DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of
play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu




as with








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...




((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................
revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int




,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu







...........
DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
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*********************************************************************************
........... DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of
play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu




as with


!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

........... DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
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........... DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enact








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int




,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu







...........
DOES IT KNOW?





???????????????????????????????????????
revulsion, convulsion, desire, enactment, process


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of
play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu




as with








...........................................................................................................................................................................

1 comment:

Richard said...

ex. RT