Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...



((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................


orn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atro

here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)


a spreading sneer,

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...



((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

............. Like a fat poet retching, or casting himself .......



###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

Room 242

.................................................................................................................................................................................







here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################



beginning was here.



####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...

|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| purpose is stimula

((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi

he is reading or would read almost anything...

|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||| purpose is stimula

((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(

losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################

You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)

####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int

constant shifting

,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)


....................................anciently...................................................

>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu






........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
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*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
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*********************************************************************************
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*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
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*********************************************************************************
*********************************************************************************
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*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################

You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)

####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu



as with








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int



,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::


You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu






........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
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*********************************************************************************
*********************************************************************************
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*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu



as with








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book Theoretical Objects (by Nick Piombino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a kind of theoretical 'argument' but modulate into what Scott Hamilton has termed "poessays" - or that is one "take" on them - they are all beautiful and interesting, as are


))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))))0



Alan's. Not all are "beautiful - the purpose is stimulation,


-------------------------------------------------------------------------------------------------
---------------------------------------
disgust, dread, fascination, density, decay, difficulty or clarity, greater or lesser degrees of what Bernstein calls "absorption" (in A Poetics ); revulsion, convulsion, desire, enactment, process, disturbance and so on...Seen also is the range and restlessness of Alan's very wide reading - he is reading or would read almost anything...



((((((())))))))()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()()(
............................................

And

.................................................................................




............. Like a fat poet retching, or casting himself .......




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as in Bernstein's


concept - here philosophy or


its mode of discourse - inter

changes with poetry and its mode of "phi



losophic" inquiry - research or investigation. Ala


n's inquiry in

..................................revulsion, convulsion, desire, enactment, process, disturbance and so on

volves

,,,,,,,,,,,,,,,,,,,,,,,,,,,<,,,<<<<<<<<<<<<<<<<<<<<,,,,,<<<<<<<<<<<<<<< ...............................his great variety of modes of writing - that i


s - his structures....


####################################################################

###########################################################


This STRATEGY of

constant shifting and non-normative writing

challenges the hierarchical 'tyranny' of received or

#########################transparent Naratio nal writing

where################


,,,,,,,,,,,,,,,,,,,,,,,,,,,,,, (s p e r m a t i c s i l e n c e....


here the eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int



,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu






........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
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*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
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*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
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*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
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eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu



as with


!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!

........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enact








...........................................................................................................................................................................





####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argumet' but mdlate int



,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,
,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,,

////////////////////////////////////////////////////////////

:::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::::








eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu






........... DOES IT KNOW?





??????????????????????????????????????? revulsion, convulsion, desire, enactment, process


*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************
*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....


*********************************************************************************
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*********************************************************************************



eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....



####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)





the challenging

of that writing - the enactment of that challenging

and ex perimenting and indeed, of play, is in itself a

method

of

philo sophy -
...............................................

eye began. anciently. it's beginning was here. ages passed. there was matter. something was amiss with the matter's matter. the snake got involved. a spreading sneer, and a sad erotic leaf mass. and a sedan....




####################################################################







####################################################################

###########################################################

as in............... his book eoreti bjects ( y ick imbino)




>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>>as a knd f thrtcl 'argu



as with








...........................................................................................................................................................................

Room 240
........................................................................................................................................................................









----------------------------- she is everywhere everything











.......................................................................................................................................

Room 231
.........................................................................................................................................................................

maybe a shadow sleeps in your hand, but it is not known to the divergent multitude, who are cross with destiny. Our quarrel is not so direct, or our bubbles so gloating in their rise.

…Once I stood on hills, high in corn, whirled about in black by yellow crows, and did different. Things. The sob suppressed shall burst in thunder yet. Soap. This anger transforms, and many new eyes appear, as daisies, or freesias. You planted light, and reap now torment, now torrents, now rocks.

No way is safe except all ways: and we are forbidden motion. Things nowadays tend toward minima, and you, you sit alone: tape or pen in hand, and a book, and strange internal forms do crowd about: those those these these; less-comforting- than-the-flesh: and listening to songs or modes that ring, recalling the dying generation’s that all, all neglect all, and the dark and clapping coat a-stick, & such arms in arms, and the joyful bitter hope of gold, beat into music: free in the holy fire outside desire or any gyre, keeping awake….these strange sounds that ring from those who live and have learnt to sing…

You, of course, are dead. Dead. Dead. Dead. Dead to the world: skewered, sliced, sacrificed, shorn. Spat out by those you had trusted most. And so should you be!

For how is it you think you are so important: with so many syndromes, diseases, shootings, atrocious accidents, massacres: in fact, the summated enbloodment? Eh?! Hmm!?!

Words are thus evolved: or invented ‘in sudden throat’, for evil or ‘good’ occasion. (Evil vile and virid (yet red yellow bright) amphispbaena sleep about as if in the dreams of La Tentation de St. Antoine …)

all this said, and, if acknowledged – let us note – those of us who are alive – how the sky is so blue, and the shrieking has subsided.

so. I shall hazard forth, – e’en as the great and holy machinery of this creaking orb doth shudder with Begin – and slobbered forebodings of joy and joy and more and more and more to come…

.........................................................................................................................................................................

224.1.2

.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................

Richard! Richard!
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................

What are you thinking of Richard?!
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................
.........................................................................................................................................................

Eh?! Imm!?
.........................................................................................................................................................
.........................................................................................................................................................
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Where are you?



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.....................................WHO?

and what is this....... this......................
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"Which x am I?"

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tell me

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richard